Channel 4 Sets UK Premiere Date For ‘Fargo’ Season 2
Season one of “Fargo” will re-air in a marathon today beginning at 2 p.m. on FXM, FX’s sister network.
Last year, FX debuted a Fargo TV show by Noah Hawley, designed as a limited series that was a kind of spiritual extension of the Coen brothers’ 1996 film.
Set in 1979, the new episodes follow the Gerhardt clan, a bunch of Kansas City mobsters, State Trooper Lou Solverson (Patrick Wilson), and hairdresser Peggy Blomquist (Kirsten Dunst) in the aftermath of a gruesome triple murder, and in part the heavy-handedness is a knock-on effect of the insistent period detail. Season 2 achieves new heights, thanks to writer-director Noah Hawley. “Why make a TV show?”
Having such an impressive cast, of course, is another huge asset, with Woodbine, as the enforcer, engaging in a lot of cheerful philosophizing that always seems like it might be leading up to guns blazing. Did you do any research into the period? That was really fascinating to me.
What better place to film a twisting, turning crime drama than in Southern Alberta, where the weather’s just as unpredictable as the plot line for season two of FX’s Fargo. How else could the area foster the twisted tales of murder and tiresome lives gone risky that have built the “Fargo” brand? Except the word “Fargo” is so evocative of that place, the frozen tundra.
Ted Danson said Fargo was one of the best written shows he has ever had the pleasure of acting in.
Yep, sounds like another “Fargo” story. I knew what was going, on but then it takes a turn in episode seven that totally caught me off guard.
“It’s kind of amusing, at Carnegie Mellon part of our vocal training was to try to get rid of your idiolect, and my first [big] job requires a Minnesota accent”, she said in a recent phone interview. For me, I had this image of these two men in an emergency room. He’s a young man, and he’s in good shape, but he carries himself like an older, heavier one, as if weighed down by burdens he hasn’t fully acknowledged because he’s not ready yet. And that’s where [Season 1] came from. The second bad idea obviously was once we got it right, to throw everything out and start again. That’s normal to me. You can jump in without knowing anything about what went down previous year. But yes, there’s a ghost in the room, which was how amazingly successful the first year was. Los Angeles is in the middle of a heatwave and Dunst is wearing a navy-blue long-sleeved shirt and jeans. I don’t make that comparison lightly.
“We’re a much bigger canvas”. I will always defend our right to experiment. “There are definite – I hate the phrase shout-out – but there’s definitely recalls to different Coen brothers’ movies”. For many people, it was a watershed series that boasted big stars, a stylish presentation, and a complicated premise. But it can’t be a gimmick-driven show.
The award winning series set up camp in Calgary this past winter for the second time and with new cast members getting acclimatized to the northern temperatures, the reception was very positive. “This is Lou at a much different time” and that sort of freed me up to carve our own niche. But at the same time, it’s great to be able to integrate stuff as you would in real life. “I was keen to get into the arena – the creative people are blossoming on television, and the roles are so good for women now”, she says. I can’t have a can of generic beer. You discover later on he really is genuinely concerned about the world his granddaughter Molly’s gonna grow up in. The violence comes sporadically and infrequently which is probably why it’s so effective. The production could open its own vintage store, given the mountains of garish furniture and eBay-sourced collectibles amassed. There’s a creeping sense of inevitability about the ultimate showdown between these two forces, and one gets the feeling we’ll soon learn why, a few 30 years down the road, Lou walks with a decided limp. You just go to the really old stuff or public domain-same with music.
They’re far outnumbered by the bad guys, the proud and deadly Gerhardt crime family on one side and the Kansas City crime syndicate on the other. It’s a learning curve. That it can do this through adaptations of true stories makes it all the more jaw-dropping.
I don’t know yet.
“The ’70s were a very freakish time”, says Wilson, who turned to his former soldier father for inspiration about the era.
Why is that? “There are just too many movies being made, I think”.